EXHIBITIONS
A record of selected exhibitions
MONASH MADA NOW 2024
In Her Skin, In Her Space is an installation that weaves intimate, tactile narratives of womanhood, delving into the layered experiences of the body and domestic life.
Close-up details of a woman’s skin, scars, and kitchen textures—like those of food—highlight both the resilience of the flesh and the quiet labour embedded in the home. In Her Skin, In Her Space captures unspoken marks—physical, emotional, and sensory—that linger within domestic cycles, evoking transformation, memory, and reclamation in a visceral way. Lemon-stamped prints on the wall further enrich the textures, adding a vivid, tactile dimension to the work.
The unconventional wall design introduces an uneasiness, reflecting the repetitive and patterned nature of domestic labour while challenging perceptions of stability.
In Her Skin, In Her Space
2024
Mixed media installation: photographic assemblages with acrylic-painted lemon stamps on walls
Approx. dimensions: 2.4 m (H) x 5 m (L)
​
Featured in: Monash MADA Now 2024
OPTIKA 2024 PHOTOGRAPHIC AWARD
My photograph, Femme Fatale, has been selected for display at the OptiKA 2024 Photographic Award Exhibition at Kingston Arts Centre.
​
This year’s theme, “Inspiration: What ignites your passion?”, led me to explore domestic spaces and the rich stories they hold.
In Femme Fatale, I merge the iconic character Phyllis from the film noir Double Indemnity (1944) with the delicate textures of the kitchen—a space traditionally tied to women’s roles.
​
The egg yolk and cracked shell symbolise both fragility and power, reflecting how everyday objects inspire my exploration of identity, femininity, and the complexities of womanhood. The femme fatale character challenges these domestic roles, adding tension to the image.
​​
Femme Fatale
2024
​Photograph
​
Featured in: OptiKA 2024 Photographic Award Exhibition at Kingston Arts Centre. Frame by Mulbury
TOP ARTS 2022
Cane Chair is a portrait drawing of my aunt Annie, who has Rett syndrome, a rare genetic neurological disorder. This work delves into our relationship and the profound impact of Annie's disability on our family dynamics. As I grow more independent, her increasing dependence on others becomes a poignant aspect of our connection.
​
In creating this artwork, I aimed to capture Annie’s vulnerability and fragility. The vibrant colours of her clothing sharply contrast with her facial expression and the tension in her hands gripping the scarf at her neck, emphasising both her solitude and resilience.
​
This artwork is especially meaningful to me, inspired by a desire to express affection for Annie in ways that transcend words, given the challenges she faces in communication. I sought to convey the emotional depth of our relationship and reflect our growing interdependence as life unfolds.
​
​​​​​​​
Cane Chair
2021
Coloured Pencil
29.7 x 21.0 cm (sheet)
Featured in: Top Arts 2022, National Gallery of Victoria
​